Clam - Mary Oliver



Each one is a small life, but sometimes long, if its
place in the universe is not found out. Like us, they
have a heart and a stomach; they know hunger, and
probably a little satisfaction too. Do not mock them
for their gentleness, they have a muscle that loves
being alive. They pull away from the light. They pull
down. They hold themselves together. They refuse to
open.

But sometimes they lose their place and are tumbled
shoreward in a storm. Then they pant, they fill
with sand, they have no choice but must open the
smallest crack. Then the fire of the world touches
them. Perhaps, on such days, they too begin the
terrible effort of thinking, of wondering who, and
what, and why. If they can bury themselves again in
the sand they will. If not, they are sure to perish,
though not quickly. They also have resources beyond
the flesh; they also try very hard not to die.








“Clam” by Mary Oliver. What Do We Know: Poems and Prose Poems, Da Capo Press, 2002.






The Lesson for Today - Robert Frost


(Read before the Phi Beta Kappa Society at Harvard University, June 20, 1941.)

———————————————————————————

If this uncertain age in which we dwell
Were really as dark as I hear sages tell,
And I convinced that they were really sages,
I should not curse myself with it to hell,
But leaving not the chair I long have sat in,
I should betake me back ten thousand pages
To the world’s undebatably dark ages,
And getting up my medieval Latin.
Seek converse common cause and brotherhood
(By all that’s liberal–I should, I should)
With the poets who could calmly take the fate
Of being born at once too early and late,
And for those reasons kept from being great,
Yet singing but Dione in the wood
And ver aspergit terram floribus
They slowly led old Latin verse to rhyme
And to forget the ancient lengths of time,
And so began the modern world for us.

—————————————–

I’d say, O Master of the Palace School,
You were not Charles’ nor anybody’s fool:
Tell me as pedagogue to pedagogue,
You did not know that since King Charles did rule
You had no chance but to be minor, did you?
Your light was spent perhaps as in a fog
That at once kept you burning low and hid you.
The age may very well have been to blame
For your not having won to Virgil’s fame.
But no one ever heard you make the claim.
You would not think you knew enough to judge
The age when full upon you. That’s my point.
We have today and I could call their name
Who know exactly what is out of joint
To make their verse and their excuses lame.
They’ve tried to grasp with too much social fact
Too large a situation. You and I
Would be afraid if we should comprehend
And get outside of too much bad statistics
Our muscles never could again contract:
We never could recover human shape,
But must live lives out mentally agape,
Or die of philosophical distention.
That’s how we feel–and we’re no special mystics.

————————————————–

We can’t appraise the time in which we act
But for the folly of it, let’s pretend
We know enough to know it for adverse.
One more millennium’s about to end.
Let’s celebrate the event, my distant friend,
In publicly disputing which is worse,
The present age or your age. You and I
As schoolmen of repute should qualify
To wage a fine scholastical contention
As to whose age deserves the lower mark,
Or should I say the higher one, for dark.
I can just hear the way you make it go:
There’s always something to be sorry for,
A sordid peace or an outrageous war.
Yes, yes, of course. We have the same convention.
The groundwork of all faith is human woe.
It was well worth preliminary mention.
There’s nothing but injustice to be had,
No choice is left a poet, you might add,
But how to take the curse, tragic or comic.
It was well worth preliminary mention.
But let’s go on to where our cases part,
If part they do. Let me propose a start.
(We’re rivals in the badness of our case,
Remember, and must keep a solemn face.)
Space ails us moderns: we are sick with space.
Its contemplations makes us out as small
As a brief epidemic of microbes
That in a good glass may be seen to crawl
The patina of this the least of globes.
But have we there the advantage after all?
You were belittled into vilest worms
God hardly tolerated with his feet;
Which comes to the same thing in different terms.
We both are the belittled human race,
One as compared with God and one with space.
I had thought ours the more profound disgrace;
But doubtless this was only my conceit.
The cloister and the observatory saint
Take comfort in about the same complaint.
So science and religion really meet.

——————————————-

I can just about hear you call your Palace class:
Come learn the Latin Eheu for alas.
You may not want to use it and you may.
O paladins, the lesson for today
Is how to be unhappy yet polite.
And at the summons Roland, Olivier,
And every sheepish paladin and peer,
Being already more than proved in fight,
Sits down in school to try if he can write
Like Horace in the true Horatian vein,
Yet like a Christian disciplined to bend
His mind to thinking always of the end.
Memento mori and obey the Lord.
Art and religion love the somber chord.
Earth’s a hard place in which to save the soul,
And could it be brought under state control,
So automatically we all were saved,
Its separateness from Heaven could be waived;
It might as well at once be kingdom-come.
(Perhaps it will be next millennium.)

—————————————————

But these are universals, not confined
To any one time, place, or human kind.
We’re either nothing or a God’s regret.
As ever when philosophers are met,
No matter where they stoutly mean to get,
Nor what particulars they reason from,
They are philosophers, and from old habit
They end up in the universal Whole
As unoriginal as any rabbit.

——————————————-

One age is like another for the soul.
I’m telling you. You haven’t said a thing,
Unless I put it in your mouth to say.
I’m having the whole argument my way–
But in your favor–please to tell your King–
In having granted you all ages shine
With equal darkness, yours as dark as mine,
I’m liberal. You, you aristocrat,
Won’t know exactly what I mean by that.
I mean so altruistically moral
I never take my own side in a quarrel.
I’d lay my hand on his hand on his staff
Lean back and have my confidential laugh,
And tell him I had read his Epitaph.

———————————————–

It sent me to the graves the other day.
The only other there was far away
Across the landscape with a watering pot
At his devotions in a special plot.
And he was there resuscitating flowers
(Make no mistake about its being bones);
But I was only there to read the stones
To see what on the whole they had to say
About how long a man may think to live,
Which is becoming my concern of late.
And very wide the choice they seemed to give;
Thee ages ranging all the way from hours
To months and years and many many years.
One man had lived one hundred years and eight.
But though we all may be inclined to wait
And follow some development of state,
Or see what comes of science and invention,
There is a limit to our time extension.
We all are doomed to broken-off careers,
And so’s the nation, so’s the total race.
The earth itself is liable to the fate
Of meaninglessly being broken off.
(And hence so many literary tears
At which my inclination is to scoff.)
I may have wept that any should have died
Or missed their chance, or not have been their best,
Or been their riches, fame, or love denied;
On me as much as any is the jest.
I take my incompleteness with the rest.

———————————————–

God bless himself can no one else be blessed.
I hold your doctrine of Memento Mori.
And were an epitaph to be my story
I’d have a short one ready for my own.
I would have written of me on my stone:
I had a lover’s quarrel with the world.







Fuente: https://ddink55.wordpress.com/2011/03/24/the-lesson-for-today/



Robert Frost: A Lover’s Quarrel with the World | Academy Award-Winning Documentary (1963)

 









Llorar a lágrima viva - Oliverio Girondo

 

Llorar a chorros.
Llorar la digestión.
Llorar el sueño.
Llorar ante las puertas y los puertos.
Llorar de amabilidad y de amarillo.
Abrir las canillas,
las compuertas del llanto.
Empaparnos el alma,
la camiseta.
Inundar las veredas y los paseos,
y salvarnos, a nado, de nuestro llanto.
Asistir a los cursos de antropología,
llorando.
Festejar los cumpleaños familiares,
llorando.
Atravesar el África,
llorando.
Llorar como un cacuy,
como un cocodrilo...
si es verdad
que los cacuyes y los cocodrilos
no dejan nunca de llorar.

Llorarlo todo,
pero llorarlo bien.
Llorarlo con la nariz,
con las rodillas.
Llorarlo por el ombligo,
por la boca.
Llorar de amor,
de hastío,
de alegría.
Llorar de frac,
de flato, de flacura.
Llorar improvisando,
de memoria.
¡Llorar todo el insomnio y todo el día!









Razón - Julio Cortázar



Se precisa tener —en esta herida
torturada de lágrima candente—
eje donde girar, razón viviente
que justifique estar, consciente, en vida.

No vida de árbol que despierta, ardida
por las solas urgencias del presente.
No vida de animal, ida al oriente
común a la manada y la guarida.

Se precisa tener, como yo tengo,
el eje directriz de una presencia
inamovible en el cordial concierto;

nombres —amigo, ideal, mujer— de luengo
resonar en el alma, siendo esencia
tan sólo de uno, vivo, y de uno, muerto. 








Everness - Jorge Luis Borges (Buenos Aires, 24 de agosto de 1899 - Ginebra, 14 de junio de 1986)



Sólo una cosa no hay. Es el olvido.
Dios, que salva el metal, salva la escoria
y cifra en Su profética memoria
las lunas que serán y las que han sido.

Ya todo está. Los miles de reflejos
que entre los dos crepúsculos del día
tu rostro fue dejando en los espejos
y los que irá dejando todavía.

Y todo es una parte del diverso
cristal de esa memoria, el universo;
no tienen fin sus arduos corredores

y las puertas se cierran a tu paso;
sólo del otro lado del ocaso
verás los Arquetipos y Esplendores.






En El otro, el mismo (1964)




Oda a las Américas - Pablo Neruda (en Odas elementales, 1954)


Américas purísimas,
tierras que los océanos
guardaron
intactas y purpúreas,
siglos de colmenares silenciosos,
pirámides, vasijas,
ríos de ensangrentadas mariposas,
volcanes amarillos
y razas de silencio,
formadoras de cántaros,
labradoras de piedra.

Y hoy, Paraguay, turquesa
fluvial, rosa enterrada,
te convertiste en cárcel.
Perú, pecho del mundo,
corona
de las águilas,
existes?
Venezuela, Colombia,
no se oyen
vuestras bocas felices.
Dónde ha partido el coro
de plata matutina?
Sólo los pájaros
de antigua vestidura,
sólo las cataratas
mantienen su diadema.
La cárcel ha extendido
sus barrotes.
En el húmedo reino
del fuego y la esmeralda,
entre
los ríos paternales,
cada día
sube un mandón y con su sable corta
hipoteca y remata tu tesoro.
Se abre la cacería
del hermano.
Suenan tiros perdidos en los puertos.
Llegan de Pennsylvania
los expertos,
los nuevos
conquistadores,
mientras tanto
nuestra sangre
alimenta
las pútridas
plantaciones o minas subterráneas,
los dólares resbalan
y
nuestras locas muchachas
se descaderan aprendiendo el baile
de los orangutanes.
Américas purísimas,
sagrados territorios,
qué tristeza!

Muere un Machado y un Bautista nace.
Permanece un Trujillo.
Tanto espacio
de libertad silvestre,
Américas,
tanta
pureza, agua
de océano,
pampas de soledad, vertiginosa
geografía
para que se propaguen los minúsculos
negociantes de sangre.
Qué pasa?
Cómo puede
continuar el silencio
entrecortado
por sanguinarios loros
encaramados en las enramadas
de la codicia panamericana?
Américas heridas
por la más ancha espuma,
por los felices mares
olorosos
a la pimienta de los archipiélagos,
Américas
oscuras,
inclinada
hacia nosotros surge
la estrella de los pueblos,
nacen héroes, se cubren
de victoria
otros caminos,
existen otra vez
viejas naciones,
en la luz más radiante
se traspasa el otoño,
el viento se estremece
con las nuevas banderas.
Que tu voz y tus hechos,
América,
se desprendan
de tu cintura verde,
termine
tu amor encarcelado,
restaures el decoro
que te dio nacimiento
y eleves tus espigas sosteniendo
con otros pueblos
la irresistible aurora.





Van Morrison and Bob Dylan (Athens, Greece, 1989)



 

"On a summer day in 1989, Van Morrison and Bob Dylan met up in Greece and brought their acoustic guitars to the place in Athens where the ancients believed the muses lived. Philopappos Hill, traditionally known as the Hill of the Muses, rises high above the Athens Basin and has a commanding view of the Acropolis. It was June 29. Dylan had just wrapped up a European tour the night before at Panathinaiko Stadium, and Morrison was traveling with a BBC crew for an Arena documentary that would be broadcast in 1991 as One Irish Rover: Van Morrison in Performances. The two legendary singer-songwriters played 4 of Morrison’s songs: “Foreign Window” and “One Irish Rover,” above, and “Crazy Love,” below. A fourth song, “And It Stoned Me,” was apparently cut from the film, but here it is, in all it`s glory even with a false start."





Child Of Nature (Esher Demo) - The Beatles (1968)






 







No hay derecho

 

Cuánta estafa puede haber...

No puedo creer cómo

(y este cómo se refiere a la forma)

cómo murió Maradona.


No puedo creer cómo 

un ícono popular, murió estafado

maltratado, y sin cuidado.


Cuando fue alguien que dió tanto.

Qué injusto puede ser el estafador

hasta con alguien que ha dado todo.





Federico García Lorca Bibliografía (Granada, 5 de junio de 1898 - Granada, 18 de agosto de 1936)



Libros de poesía
Libro de poemas (1921)
Canciones (1927)
Odas (1926-1928)
Romancero gitano (1928)
Poeta en Nueva York (1930)
Poema del cante jondo (1931)
Llanto por Ignacio Sánchez Mejías (1935)
Seis poemas galegos (1935)
Sonetos del amor oscuro (1936)
Diván del Tamarit (1940)

Obras teatrales

Truth is like the sun



"Truth is like the sun. You can shut it out for a time, but it ain't goin' away."

La verdad es como el Sol. La podés ocultar por un tiempo, pero no se va a ir.




Elvis Presley (Tupelo, Mississippi, 8 de enero de 1935 - Memphis, 16 de agosto de 1977)










Deseo - Federico García Lorca (Libro de Poemas, 1921)



Sólo tu corazón caliente,
y nada más.

Mi paraíso un campo
sin ruiseñor
ni liras,
con un río discreto
y una fuentecilla.

Sin la espuela del viento
sobre la fronda,
ni la estrella que quiere
ser hoja.

Una enorme luz
que fuera
luciérnaga
de otra,
en un campo
de miradas rotas.

Un reposo claro
y allí nuestros besos,
lunares sonoros
del eco,
se abrirían muy lejos.

Y tu corazón caliente,
nada más.







Arder de deseo


Arder de deseo y callarlo es el peor castigo que nos podemos autoinflingir.


Federico García Lorca